Can you imagine seeing South Park being acted out by adults and real humans?”Īccording to Pollstar, Dane Cook (2007) and Larry the Cable Guy (20) were America’s top touring comics prior to Dunham. You put a 45-year-old up there and have him saying mean things and he’s going to appear to be a jerk. “ saying outlandish things, but there’s an innocence to it.
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Why does Dunham feel compelled to have his puppets crack these sorts of jokes? “I honestly think it’s that sneaky kid inside of me that enjoys getting away with stuff that I really shouldn’t be getting away with-I’m the little kid walking by the tiger cage putting a stick in it,” he explains. … Don’t turn your back on him!”) and the mere existence of a black puppet who refers to himself as a PIMP (that’s “player in the management profession”). By establishing himself as a nonthreatening stage presence, the ventriloquist sets himself up as the butt of the puppets’ jokes and, just as importantly, absolves himself from responsibility for Peanut’s cracks about a superhero named Gay Man (“When he flies, his butt whistles. Nevertheless, it’s very canny of Dunham to lead with this milquetoast fodder. Indeed, the solo stand-up set that Dunham performs at the beginning of each show is almost aggressively banal-in the Christmas special, for example, he talks about his daughter’s inability to pump gas and the shockingly large capacity of women’s purses. Dunham told me that he “would shudder to utter” some of the things that come out of his puppets’ mouths. Credit the fact that he doesn’t move his lips.
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(Dunham plans to film his fourth special for the channel later this year.)įor Dunham, the South African censorship case was an outlier in a mostly controversy-free career. Comedy Central also bought the rights to the special, initiating a valuable long-term relationship with the comic. As for my Mexican brothers and sisters, You learn English, motherfuckers!“), would go on to sell more than 500,000 copies on DVD.
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2006’s Arguing With Myself, which featured old favorites like Walter and Peanut alongside Dunham’s “new manager” Sweet Daddy D, a shiny-suited black puppet with a penchant for racial zingers (“I stay black, you stay white. But unable to secure a decent offer-”What idiot would invest a half a million dollars in a puppet show?” Dunham says-he decided to finance a showcase on his own. After reaching the pinnacle of the puppet-insult-comedy world, Dunham’s logical next move was to record a comedy special.
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But like most ventriloquists since Edgar Bergen’s day-believe it or not, Bergen and his sidekick Charlie McCarthy were so popular in the 1940s and 1950s that they starred in a hit radio show-Dunham couldn’t crack the wooden ceiling.